Repertoire – Opera and Operetta

Opera and Operetta – full roles
(Original languages unless otherwise stated)

Bizet – Carmen ‘Carmen’ (French, English)
Britten – Peter Grimes ‘Mrs Sedley’
Donizetti – Lucia di Lammermoor ‘Alisa’
Puccini – Madama Butterfly ‘Suzuki’ (Italian, English)
Tchaikovsky – The Queen of Spades ‘Polina’ (English, Russian)
Tchaikovsky – Evgeny Onegin ‘Olga’ (English, Russian)
Lehar – The Merry Widow ‘Hannah Glavari’*
Mozart – Die Zauberflöte ‘Second Lady, Third Lady’ (German, English)

Gilbert & Sullivan – Iolanthe ‘Iolanthe’
Gilbert & Sullivan – Ruddigore ‘Rose Maybud’
Gilbert & Sullivan  –The Pirates of Penzance ‘Ruth’
Gilbert & Sullivan – Trial by Jury ‘The Plaintiff’
Gounod – Faust ‘Marthe Schwerlein’ (English)
Purcell – Dido and Aeneas ‘The Sorceress’
Strauss II – Die Fledermaus ‘Rosalinda’ (English)*
Verdi – Nabucco ‘Fenena’ (English)
Verdi – La Traviata ‘Flora Bervoix’ (English)

* = Weinberger edition – generally transposed down a tone from original key

Opera – partial roles and those currently in preparation

Mozart – Cosi fan tutte ‘Dorabella’
Tchaikovsky – The Maid of Orleans ‘Joan of Arc’
Verdi – Don Carlo ‘Eboli’

Concert arias aside from those sung in full roles above

Bellini – I Capuleti ed i Montecchi ‘Se Romeo t’uccise un figlio’ (Italian, English – Romeo)
Britten – The Rape of Lucretia ‘Flowers bring to every year the same perfection’ (Lucretia)
Donizetti – La Favorita ‘O Mio Fernando/O Mon Fernand’ (Italian, French – Leonora)
Donizetti – Roberto Devereux ‘All’afflitto’ (Italian – Sara)
Gluck – Orfeo ‘Che faro senza Euridice?’ (Orfeo)
Gounod – Faust ‘Faites-lui mes aveux’ (Siebel), Sapho ‘O ma lyre immortelle’ (Sapho)
Handel – Ariodante ‘Dover, Giustizia, Amor!’ (Polinesso)
Handel – Serse ‘Frondi tenere… Ombra mai fu’ (Serse)
Massenet Werther ‘Va Laisse Couler mes Larmes’ (Charlotte)
Mozart – La Clemenza di Tito ‘Parto, parto’ (Sesto)
Mozart – La Clemenza di Tito ‘Non piu di fiori’ (Vitellia)
Ponchielli – La gioconda ‘Stella del marinar’ (Laura), ‘Voce di donna’ (La Cieca)
Purcell – Dido and Aeneas ‘When I am Laid in Earth’ (Dido)
Rossini – Il Barbiere di Siviglia ‘Una Voce Poco Fa’ (Rosina)
Rossini – L’Italiana in Algeri ‘Cruda sorte! Già so per pratica’ (Isabella)
Saint-Saens – Samson et Dalilah ‘Mon Coeur s’ouvre à ta voix’, ‘Printemps qui commence’ ‘Amour, viens aider ma faiblesse’ (Dalilah)
Strauss II – Die Fledermaus ‘Chacun a son gout’ (Prince Orlofsky)
Tchaikovsky – The Maid of Orleans ‘Da, chas nastal’ (Adieu, forêts, in Russian, Joan of Arc)
Verdi – Don Carlo ‘O Don Fatale’ (Eboli)
Verdi – Il Trovatore ‘Condotta ell’era in ceppi’ (Azucena)