A versatile, warm and dedicated performer, Caroline studies with Dennis O’Neill CBE and Nuccia Focile, having achieved her MA with distinction from Wales International Academy of Voice.
Caroline has worked with creative teams including Sir Mark Elder, Caroline Staunton, Jo Davies, Sir David Pountney, Gianluca Marciano, Matthew Kofi Waldren, Francesco Cilluffo, Rodula Gaitanou, Martin Lloyd Evans, Thomas Payne, Mark Shanahan, Richard Harker, Nicholas Jenkins, Dom Ellis-Peckham and Carlo Rizzi.
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Caroline made a company debut with Opera North for Peter Grimes in Spring 2026, and sang the roles of Glaša and Fekluša for New Palace Opera’s Káťa Kabanová in July. She joined Grange Park Opera for Verdi’s Don Carlo and the world premiere of Tavener’s Krishna, and is currently appearing with Welsh National Opera in La bohème.
Recent appearances include alto soloist for Winchester City Festival Choir’s Saint-Saëns Oratorio de Noël, Luton Choral Society’s Mozart Requiem and Martines Dixit Dominus, and Beethoven 9th Choral Symphony with St John’s Chamber Orchestra, conducted by Nigel Wilkinson.
Past roles include Rossweisse Die Walküre for Regents Opera and New Palace Opera, guest artist for The Mastersingers’ 25th Anniversary Gala, Baba the Turk for Aylesbury Opera’s The Rake’s Progress, and Ruth in Ruddigore with Charles Court Opera and Opera Holland Park. Caroline also made a role debut for Chelsea Opera Group as Miss Rose in Lakmé.
Aside from her vocal pursuits, Caroline is an experienced aerialist, and has been taking multidiscipline training for several years. She trains at an advanced level in both aerial hoop and aerial sling, and has recently added aerial silks to her regime.
For more information about Caroline’s forthcoming engagements, please see the Schedule page.
Please don’t hesitate to get in touch with Caroline via the Contact form if you would like any additional information, or would like to discuss a particular performance requirement.
NO PART OF THIS TEXT MAY BE REPRODUCED OR PARAPHRASED FOR PUBLICATION WITHOUT THE ARTIST’S CONSENT. NO PART OF THE SAME MAY BE FED TO ANY AI PLATFORM.
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